Dan Smocke 7-String Wood of Wisconsin Series “The Milwaukeean”
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Body: Right-Handed, 17",
Deeper-Cut Single Cutaway
Top: Wisconsin Basswood
Back: Wisconsin Black Walnut
Sides: Black Walnut
Neck Join: 15th Fret
Neck Support: Carbon Fibre Reinforcement
Headstock Face: Flamed Black Walnut
Fingerboard: Ebony, 12" radius, with Black ABS side markers
Inlays: None
Linings: Kerfed Spanish Cedar
Neck Block: Honduras Mahogany
Heel Block: Honduras Mahogany
F-Holes: Unbound
Heel Cap: White ABS
Bridge: Ebony-hand polished, adjustable with chrome hardware
Tailpiece: Ebony-hand polished, Sacconi tail cable, grounded
Endpin: Custom Hand-Turned, Ebony cable strap and player strap slots
Pickup: KA Chrome Jazz Floating Humbucker, 14 poles, finger rest mounted
Controls: Top mounted Volume/Tone controls
Tuners: Grover Tuners - Chrome, 18:1 ratio
Finger Rest: Ebony-hand polished
Truss Rod: Double Action Adjustable, U.S.A.
Finish: Gloss Waterborne Lacquer-Target Coatings, EM6000
Color: Black Walnut
Glue: Titebond
Strings: D'Addario EXL-145 Round Wound, Heavy Gauge 12-54, 7th St: 65
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Body Depth: 3"
Nut Width: 1-15/16“, bone
Scale: 25"
Frets: 22
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Access Deluxe Hardshell Case
About the Luthier
In 2005, master luthier Dan Smocke established his eponymous guitar company, drawing upon a lifetime steeped in both music and craftsmanship in the Milwaukee area. Though formal apprenticeships were scarce in the region, Smocke honed his craft through diverse channels: scholarly texts, mentorship from local instrument repair artisans, and most notably, the invaluable guidance of renowned Italian luthier Ivo Baldoni, who practiced his art on Milwaukee's east side. This multifaceted education, combined with Smocke's extensive experience as a professional musician, culminated in his mastery of creating exquisite archtop guitars. Each instrument that emerges from his workshop represents the pinnacle of lutherie, embodying both meticulous craftsmanship and world-class quality.
“I pay close attention to every meticulous detail, especially the tone of the guitar. The tonal complexity, clarity, depth, volume, and "throatiness" of sound is constantly on my mind during the build process.” – Dan Smocke